The Great British Wildlife Hunt

Roosting-TreecreeperEarlier in the year I was contacted by Bloomsbury Publishing, regarding the use of one of my images in an upcoming book and after some negotiation, a fee was reached. The image in question, was a photograph of a treecreeper roosting in the bark of a Sequioa tree, taken with the aid of a flash.

For anyone who hasn’t felt the bark of a Sequioa tree, even way after sunset, in the middle of winter, it is warm to the touch, as it is a very good insulating material. Treecreepers have been quick to adapt to this and the fact that the bark is also very soft, by burrowing into the bark and making small indentations. They then fluff up their feathers to further conserve heat.

The Great British Wildlife Hunt was finally published in June. I had planned on buying the book, but never got around to it somehow. As it turned out, it was actually just as well I didn’t, because just over a week ago, a complimentary copy plopped through my letterbox. An added bonus, to an image sale and one that hadn’t happened with previously licensed images.

Product Details

RSPB The Great British Wildlife Hunt by Anne Harrap (20 Jun 2013)

Winterwatch 2013 now Over

In early Autumn last year, the BBC announced that instead of the usual format for Autumnwatch, it would be cutting it to a single week, with a second week scheduled for January and would therefore be the first series of Winterwatch. Both weeks were to be set at the Aigas Field Centre, a place that has become my second home over the past five years. The large estate is a real haven for wildlife, including the rare pine marten and a family of beavers. The studio was located in a fishing cabin, next to Loch Cuil na Caillich, affectionately called “The Illicit Still”, after a story told to Sir John Lister-Kaye.

“The Illicit Still”, the log cabin used as the Winterwatch studio in 2013.

Autumnwatch was a great success, with good views of a wide range of wildlife and showed unexpected behaviour, not least in one of the beaver lodges, when a water shrew was seen on one of the cameras. Now that Winterwatch has ended, it can be viewed with equal success, with more footage of previously unseen behaviour, including beavers swimming under the ice on the loch. In fact, the timing of the week of programmes was fortuitous, as it coincided with the advent of cold weather, in what had been a mild winter up to that point. Also featured were pine martens and red squirrels, with some experimentation to examine their behaviour. The final programme was followed by Winterwatch Unsprung. The whole half an hour slot was based in the studio, instead of outside. It was good to see some of the rangers I have grown to know of the past few years, even though a number of them have left since Autumnwatch to take up new challenges. However, behind and above Chris Packham’s right shoulder, placed in prominent view, was a print of one of my images, in fact it was very appropriate, as it was a view of the very cabin they were in, from across the loch following overnight snow.

Female blackbird feeding on Pyracantha berries.

Further south, winter even gripped the southwest of England. Snow is uncommon in most winters, but we have had snow in three of the last four in Somerset now. Parts of Somerset had several inches, but in Bridgwater, the snow was preceded by a spell of heavy rain, which limited the snowfall to a just a couple of inches. However, it was enough to alter the behaviour of the local wildlife, due to the scarcity of food. The public area at the front of my house was full of blackbirds, but when the children were playing in the snow, they were forced into my garden, where they fed on berries on my Pyracantha and Cotoneaster bushes. At a couple of points, two female birds were present and this resulted in some territorial disputes. Lighting was pretty awful, but I was able to get some ok images of them perched on the bushes and some of them feeding.

 

Latest Visit to the Aigas Field Centre

A couple of weeks ago, I made one of my regular trips to Scotland. As usual, I had two stopovers in the way to my final destination of the Aigas Field Centre. The weather turned out to be about the most favourable so far. I’ve had good weather in the past, but it was too good, with very harsh lighting. Often though, the weather has been pretty wet, with a low cloud base. This time however, it was pretty much perfect for a landscape photographer, at least on most days. While there were some wet periods, on the whole, it was showery, with constantly changing lighting conditions, with just one day being extremely wet (complete with flooding).

As has become fairly standard over the past few trips, my first stop was at a small Lake District village called Watermillock at the Brackenrigg Inn, which overlooks Ullswater to the south. The single rooms are quite small, but the food is among the best I’ve tasted. Often, the weather in The Lakes is pretty wet and there was some flooding when I arrived, but the sun was shining, with enough cloud cover to give some interesting skies. I dutifully drove down to Pooley Bridge and walked along the southern bank. It wasn’t quite as straightforward as I’d expected though, due to the flooding. Firstly, I tried photographing the river in flood, but I couldn’t get a composition I liked, so I continued to the southern bank, where I’d photographed before, ready to capture the sunset. The path I had taken before though, was completely flooded, so I had to take the higher path, until I could find a place to descend back down to water level and away from the trees. The flooding in my chosen spot was obvious, with a number of trees surrounded by water. The sunset wasn’t the best, but I managed to get some shots I was happy with anyway.

My next stop was one of my favourite places, Glencoe. As usual, I stayed at the Clachaig Inn, near to Signal Rocks and next to the River Coe. It is a prime place for ramblers and mountaineers, so has a much more informal feel to it that I like. The food is more pub-style, than restaurant, but still pleasant to eat. Again, the weather was perfect for landscapes and I was able to get one of my favourite images of the year. The sun broke through the clouds, lighting up the surrounding mountains, leaving the River Coe in enough shadow for me to reduce the shutterspeed enough to get good motion of the water.

After just a single night at the Clachaig, I drove to my final destination, the Aigas Field Centre. I’ve seen a few changes amongst the Rangers over the years, but they are all very friendly and knowledgable. The food is also very good and there is always plenty for even the largest of appetites and the centre is worth a visit, just for that. It has become my escape from a busy and stressful working life and is now pretty much a second home to me. If I lived closer, I would probably visit more often than I do, but the drive is simply too long for more trips. As usual, my reason (or rather excuse) for going was a masterclass photography workshop that was being run by the renowned Scottish nature photographer Laurie Campbell. Even though, I probably don’t really need his tutelage anymore as such, I always pick up some piece of useful information, simply by his proximity and by seeing him at work and he has become a friend over the years. The Masterclass Photography workshop, is as much about learning fieldcraft as photography and it is this that is one of my main reasons for attending. Another important reason, is to visit areas I like to visit, have time to stop photograph and not have the stress of driving long distances. The Aigas Estate is also well worth a visit, with a large range of different habitats and wildlife. In the spring and summer, it is possible to see ospreys and other raptors on the estate, as well as many different small passerine birds, with various wildfowl and other winter birds arriving in the autumn. There are also a number of resident mammals and herpetic fauna, including pine martens and badgers, not to mention red squirrels. I have spent around four and a half years trying to get a photograph of  red squirrel I am happy with, with very little success. However, on this trip, they were very visible, with a number of youngsters running across the lawns around the arboretum. With a little judicious baiting, they performed admirably and at one point three different individuals were in close proximity.

There are a number of local straths and glens surrounding the field centre, including Strathconon, Glen Cannich and the more famous Glen Affric and Glen Strathfarrar. These are all good for seeing golden eagles and each has their own landscape. Glen Affric is known for the remnant caledonian pine woodland and has special recognition for its importance in the natural habitat of the Scottish Highlands. Very few other glens and straths can offer such a fine example and once the autumn colours are produced, it is nothing short of breathtaking. Sadly, we were a little too early to see it at its best, as the colours weren’t yet in their full glory, but a visit to Strathconon produce some better colours. Stathconon is the complete opposite to Glen Affric in some ways. It is a good example of imbalance in fact, as the forestry commission has a strong presence and there is alot of evidence for overgrazing by red deer, with quite alot of erosion of the slopes. However, the colours around Loch Meig, near the bottom of the glen were just getting to their best and the almost still, sunlit  evening made for some spectacular reflections, so much so, that we were late for dinner. There was just enough of a breeze to blow the leaves, without disturbing the water.

We also went a little further afield, visiting the Falls of Shin, to see the leaping salmon and trout. Numbers weren’t large, but there were enough for some photographic opportunities. Another trip took us along the Farr Road, ostensibly to look for signs of black water voles, but also to look out for red grouse and to see some ancient preserved pine roots, evidence of how the moorland once looked, before human intervention.

Finally it was time to leave and to say goodbye to some friends in their final season at the centre. Unfortunately, I had left it too late to book a room at the Clachaig Inn for a couple of nights, so I was forced to look for another stopover. I chose the Isles of Glencoe Hotel, a pleasant hotel in a prime location, on the banks of Loch Leven, at the bottom of Glencoe. While the room was very nice and the food was good, it was a little too formal for my purpose, as I wanted to eat when I was ready to eat, instead of having to plan when to have dinner, early in the day. The locale was spectacular though and the changeable weather made for some dramatic landscapes. I produced a number of images I was very happy with, but one in particular stood out for me, making it two standout images for the trip. The final day, as I was just finishing my breakfast and was about to go and get ready for the drive to Ullswater, the mist started rolling across the loch from the direction of Kinlochleven. I quickly grabbed my gear to a high vantage point overlooking the loch, deciding on a short telephoto lens, grabbing a number of shots, looking towards the nearby mist beyond Eilean Munde, before heading towards another vantage point looking towards Ballachulish Bridge.

Finally, I headed off back to Ullswater, where the weather had closed in, so it was a restful night at the Brackenrigg before I headed home, from what had been a very successful and enjoyable trip, with a number of significant images.

Autumnwatch at Aigas Field Centre

 

On Monday, it was announced by the BBC, that this year’s Autumnwatch would be based at a location that has become my second home over the past few years. The Aigas Field Centre is set within an eighteen acre estate, centered around an old Victorian hunting lodge. Surrounding the house that has been built as a result of a series of extensions to the hunting lodge, are a formal garden and arboretum, looked after lovingly by Lady Lucy Lister-Kaye, who also runs the kitchen and serves high quality food, along with the kitchen staff. These gardens are bordered by the log cabins where most guests stay and they are frequented by the resident red squirrels and the odd pine marten and badger.

Beyond the house and gardens are where it starts to get really interesting however. Climb uphill and you reach the education centre that was opened by the late Sir Magnus Magnusson and has been designed to be as ecologically friendly as possible. Keep going though and you enter the Caledonian pine woods, where Scottish wildcats have been seen and pine martens and badgers wander, along with foxes and small mammals. Set within these woods, there is a small loch, where a family of beavers lives. These beavers were originally introduced as a pair, as a demonstration project showing that beavers can live within the British Isles, without causing serious damage. Studies of these beavers have shown a regeneration of the deciduous woodland at the far end of the loch, with natural management (by the beavers) of the wetland area. This has increased biodiversity and proven that trees aren’t killed by the action of the beavers, but are in fact effectively coppiced. Any trees or wood that need to remain, are protected by the simple application of chicken wire.

To the left of the loch, a path continues up through the pine woods towards a tree-top hide, that overlooks the valley below, giving good views of any raptors that may be flying. The path continues on through upland moorland towards a hill-top fort, passing some hut circles along the way, where roding woodcock can be seen after dusk during the spring months. From the fort, the views are spectacular and even the Beauly firth is visible to the east. To the west, the peaks surrounding Glen Cannich, Glen Strathfarrar and Glen Affric are just visible.

While The Aigas estate is large for an estate, there are probably very few estates with such a diverse range of habitats in what is essentially a small area. As a result, there is a very diverse range of wildlife, with many migratory birds arriving in Spring and Autumn and many more resident birds and mammals, not to mention herpetic fauna. This of course makes it ideal for its use by the BBC for its series of Autumnwatch programmes, starting at the end of October.

 

Apple iBook Version of A Journey with Nature is Available

As the electronic version for Amazon’s Kindle seems to be more popular than the print version, I have now updated my Blurb shop to offer an iPad and iPhone version of “A Journey with Nature” for sale. Unlike the version on Kindle, this is is full colour, with all the photographic images used to illustrate the large format print version.

The book itself, charts my experiences while tavelling and watching the natural world, starting in Nepal and following my journey in Scotland and Somerset.

Why not consider it as a Christmas present?

http://www.blurb.com/books/2236892

Latest Uploads from the Scotland Trip

A couple of weeks ago, I made my regular trip up to the Scottish Highlands. I decided this time to stop off at two areas I haven’t previously visited, the Lake District and Glencoe. Of course, both areas are well known for their possibilities for the landscape photographer. I was never going to get any award winning shots from either area, with just two one night stopovers overlooking Ullswater and three nights at the Clachaig Inn, at the top end of Glencoe, but it was a chance to do some scouting. The weather on the way up was atrocious, with visibility being so low, that I was barely able to see the mountains surrounding the two stopovers, not exactly ideal conditions for expansive landscapes. Luckily, the weather cleared during my week at the main destination, the Aigas Field Centre. I’m pretty well known up there now and I always feel at home. I don’t really need the photography tuition that was provided by Laurie Campbell, but this time there was a greater focus on fieldcraft, with the chance of stalking deear and feral goats, always useful practice, even if it isn’t always successful.

Because the focus was more on fieldcraft, I actually took less photographs (which also meant less to process and sift through), but I was able to get some shots I was more than happy with. Probably the highlight for me were some studio shots, as I was able to practice with some flash work, something I rarely do. Also useful for me were stalking some feral goats and also a stag that disappeared while we were out of view and building an improvised hide from available material.

Of course, there was also the chance of photographing the resident pine martens at the Aigas Field Centre. Last winter, they resited one of the hides, so that it was suitable for viewing wild pine martens. The whole area was designed with photography in mind, so suitable natural perches and trunks were installed. Also, the portholes of the hide were able to be lifted up, so that the martens could be photographed without having to shoot through glass. Of course, the downside was increased risk of disturbance from the camera shutter. As a consequence of the preparations, I was able to get my sharpest shots of martens to date and even tried some flashwork. I really put my 135 mm f/2 to good use and the f/2 proved invaluable, more so than the flash, with the 5D MkII providing very clean, sharp images. The 7D however, was less successful, as it seems like some lens microadjustment in needed.

All in all, the usual successful and enjoyable trip. I always enjoy being in the Scottish Highlands and particularly enjoy staying at the Aigas Field Centre. For anyone considering staying there, they offer a great variety of activities, not just photography, but also wildlife (including specific bird and mammal, as well as general programmes) and archaeology weeks. Next year, they also have a variety of special weeks and weekends in their programme.

Cry of the Kalahari

Many years ago, while I was a teenager, I came across a book in the local library, where I grew up in Exeter. The book was such an influence, that the title remained with me to this day, although I couldn’t remember the names of two young researchers who authored the book. They had set out with very little to their name to the deserts of the Kalahari to research the wildlife, before it disappeared. At the time, very little was being done towards conservation and they wanted to see the animals before they were lost. Their principle subjects were a clan of brown hyenas, different in behaviour to the more familiar spotted hyenas, but they also described a pride of lions invading their camp at night.

The title of the book was the “Cry of the Kalahari” and I had the vision that one day, I would have a similar adventure researching wildlife. The dream has never quite materialised, although I did end up researching much smaller forms of life, but the vision remains. Until now, I have been unable to find the book again, but an internet search found a number of used copies listed on Amazon UK, then I found the Owens Foundation website and immediately recgnised the names of Mark and Delia Owens. On their website is a page, where each of their authored books is listed, including the Cry of the Kalahari. On there, is a link to new copies of the book through the US Amazon site and purchasing using that link gives a donation to the Owens Foundation.

For anyone interested in wildlife, this book is a must read. While I can’t remember the book in detail after all these years, what sticks in my mind, is that the research and observations of the animals reads more like a life story, describing the experiences of the two authors and giving an intimate insight into the individual personalities of the animals they encounter. This is something that is often lacking in research works. From experience, scientific papers and to a lesser degree books too, are not particularly readable. This book is the exception and as such, it is suitable for most readers. I can thoroughly recommend the book.

BWP Awards Deadline Approaches

It’s the final few weeks before the deadline of this year’s British Wildlife Photography Awards. I’ve been busy compiling my selections ready for entry and have found around 15 possibles, although probably only four or five have any real chance and I only have high hopes for maybe two or three. I had hoped to supplement it with a couple more, based on some plans I’ve had for a couple of years, but the weather hasn’t played ball. It’s a little early in the summer really, but I need warm weather (not necessarily sunny) with light or very light winds. It’s been very dry since the beginning of April, but the subject bird only arrives in May in large numbers and it’s been pretty windy, which affects the flight of its prey. Most of my best shots in the past have been in June, so any entries will probably need to wait until at least next year.

First Book Published on Blurb

I have just published my first book on Blurb. It’s been a project for a while now, but the past week or so, I finally put the finishing touches together. It’s basically an account of my experiences with nature, both at home in the UK and in Nepal back in 1994. As an added touch, I have also included a number of photographs.

http://www.blurb.com/books/2236892

Starling Roost 11/1/11

Last night, I decided to go and see the starling roost that occurs every evening during the winter months on the Somerset Levels. The roost in the Avalon Marshes area is one of the largest in the country, due to the large area of suitable natural habitat, with the extensive reed beds. Of course the downside is the number of people it attracts, which is the main reason I don’t watch the spectacle more often. Parking is at a premium in the area and some days there can be almost 200 vehicles parked in the small car park and along the verges.

Starling roost on the Somerset Levels, showing motion.

Some of the photographs are spectacular, but there is an element of luck involved (aside from patience and persistence), as no one evening is the same. In wet or windy conditions, the starlings don’t perform and dive straight into their chosen roosting sites. Also, conditions have to be just right to get the vivid colours as a backdrop. Even when conditions are seemingly perfect though, there are no guarantees of a good display and it is thought that the presence of raptors provokes a response; certainly a close examination of the best photos would seem to suggest this. Also, while some years they seem to have a preferred site, they are liable to move around and the past couple of years, they seem to have been much less decisive in where they will roost.

Black and white conversion and slow shutterspeed as roosting starlings fly south, showing a more abstract view.

Yesterday, despite the heavy cloud in the morning, things looked pretty good, the clouds thinned and the sun bathed both of the Shapwick Heath and Ham Wall reserves. However, as sunset appproached, more cloud started to roll in from the west, preventing the vivid colours that make the best photogaphs. It was also quite windy, which didn’t bode well for a good display. However, despite the conditions, it turned out not to be too bad a display, at least they didn’t dive straight into the reeds. In fact, they seemed to be quite indecisive and split into three large groups, coming in at different times. The first group seemed to fly over the reserve from the west to roost to the northeast of the first viewing platform. The second group however, flew more to the south, as did the third, which came in quite a bit later. Finally, the first group seemed to change their mind and flew back south, to roost directly east of the easterly facing screens, to the south of the main path.