In Search of the Northern Lights

Last week I was able to hunt for the Northern Lights. I had seen them previously near to Tromsø in Northern Norway in December 2011 and more fortuitously near to Inverness in October 2012, but I was in search of a more spectacular display. While the previous views were an experience to remember, I wanted to be able to see the colours with my naked eye, not just in the resulting photographs.

After some searching, I had decided to opt for Northern Finland, as while I have liked Norway since living in Oslo and had a certain affinity for the country, Finland offered better weather, which can be the enemy of the Aurora hunter, with a much better chance of clear weather, than Tromsø could offer, due to its assault by the gulf stream weather systems. I also decided to travel with a company called Aurorahunters.

While Aurorahunters is a fairly new company, having been established just two years ago, they are fast growing in their reputation. The company is owned by Andy Keen, with support from Marti Rikkonen, a nature photographer with many years experience photographing the nature of Finland, including the Aurora Borealis. Operations are ably managed by Andy’s son Alex and they have the support of other seasoned aurora hunters.

One thing that struck me on the first night, was the enthusiasm that they all showed. It was obvious that they would do everything possible not just ta find the Aurora, but also the gaps in the cloud cover. And therein lay the problem. We arrived from our over night stop in Helsinki to see heavy cloud cover with constant snow. The plan was to hunt for the Aurora on three of our four nights and the decision was made by Andy to call it a night, which meant everything was resting on the only three nights remaining. Of course, that was also the best night for predicted Aurora, but there simply wasn’t any chance of finding a gap in the cloud cover.

Aurora near Suolisjärvi.

The second night also didn’t look promising at first glance, as it was snowing yet again in Inari. However, the weather forecasts were suggesting that clearer weather was coming from the east, across the Russian border, so our team headed northeast, towards the Norwegian border south of Kirkenes. After a few brief glimpses of activity, just south of the border and some tantalising glimpses of cloud-free skies, we continued north, eventually crossing the border into Norway. However, as we got closer to Kirkenes, it became obvious that the clouds weren’t going to clear, so we headed back to our original location in Finland. Just before we reached our destination, a fox crossed the road in front of us, which excited Alex, as previous sightings had preceded good views of the Aurora. There us a Saami legend that Aurora is produced by the snow that is flung up by the tail of the fox and the Finnish name for the Aurora, Revontulet, actually means Tail of the Fox. It did indeed seem like an omen too, as when we approached our chosen spot, the clouds started to clear and an Auroral band became visible. It wasn’t the most spectacular of displays, but it was as strong as anything I’d seen and it had some structure to it. The Tricky Lady had made her appearance at last.

Northern shore of Lake Inari.

The third night also looked less than promising. Not only had the cloud returned after clearing for a time during the day, it had started snowing again and the temperature plummeted from around -8 C to -14 C. This time we headed east with Andy, towards the Russian border, as again it looked like the skies may be clearing from the east. As we drove, the temperature dropped further to -22.5 C until we reached the border post, after a slight detour to visit the Saami church at Nellim. We stopped for some hot cranberry juice, courtesy of Marti and his family and some biscuits, until we got a call that Aurora had been spotted on a nearby bridge across the Paatsjoki river, which forms the border between Norway and Russia after leaving Finland. While the temperature rose near the river, a mist had started to form, making the atmosphere damp and bitterly cold. It also masked the Aurora, making it difficult to see, even though it was just about visible.

Aurora near Inari.

I spent the final day photographing the landscape around the western end of Lake Inari, as the skies had cleared, producing a beautiful dawn light on the snow-covered lake. It was still -16 C outside and I needed something to cover my face, so went shopping ready for the final night, which was set to be even colder. Yet again, the snow came in, in the afternoon around Inari, but it looked like it would be clearer at the Norwegian border. We started off heading north, this time guided by Marti, but after travelling a short distance, Marti changed his mind. After a quick phone call to a friend, he told us the skies had cleared, so we headed northwest instead. Along the way, he regaled us with some stories of his time as a nature story, including a story of a beautiful bear, which had us in stitches. In fact we were concentrating so much on the stories, we almost missed the main event. One of the fellow guests nudged me and asked if it was an Aurora to the right. I had a look and thought that it was an Aurora just poking out over a hill. We frantically tried to get Marti’s attention, who found a clearing in the trees to next to the road, switched off the car lights and we were met with one of the most amazing sights I have ever seen. Not only was it an Aurora, what I thought had been a hill, was in fact the sky, with a huge arc. As we watched, the arc was moving quite quickly, making the perfect subject for a timelapse movie. We viewed the same arc from two more locations along the road, before heading back to the hotel, ready for our early start to the airport the next morning. Marti had another surprise for us though. When we were about 20 kilometres from Inari, he decided to head off on a small side road. By this time the temperature had dropped to -28.5 C, but the display we saw was well worth the extreme temperature, which even challenged our thermal suits. We didn’t really feel the cold though, as the adrenaline was rushing through our veins. The arc was forming right across the road, almost above our heads, in a beautiful curve and the movement and changing forms were otherworldly. The Tricky Lady had done us proud.

For anyone who wants to see the Northern Lights, then I can thoroughly recommend Aurorahunters. The whole team exudes enthusiasm and is willing to go that extra mile to find the Aurora. That is probably why they still have a 100% record in finding the Aurora for each group.

Winterwatch 2013 now Over

In early Autumn last year, the BBC announced that instead of the usual format for Autumnwatch, it would be cutting it to a single week, with a second week scheduled for January and would therefore be the first series of Winterwatch. Both weeks were to be set at the Aigas Field Centre, a place that has become my second home over the past five years. The large estate is a real haven for wildlife, including the rare pine marten and a family of beavers. The studio was located in a fishing cabin, next to Loch Cuil na Caillich, affectionately called “The Illicit Still”, after a story told to Sir John Lister-Kaye.

“The Illicit Still”, the log cabin used as the Winterwatch studio in 2013.

Autumnwatch was a great success, with good views of a wide range of wildlife and showed unexpected behaviour, not least in one of the beaver lodges, when a water shrew was seen on one of the cameras. Now that Winterwatch has ended, it can be viewed with equal success, with more footage of previously unseen behaviour, including beavers swimming under the ice on the loch. In fact, the timing of the week of programmes was fortuitous, as it coincided with the advent of cold weather, in what had been a mild winter up to that point. Also featured were pine martens and red squirrels, with some experimentation to examine their behaviour. The final programme was followed by Winterwatch Unsprung. The whole half an hour slot was based in the studio, instead of outside. It was good to see some of the rangers I have grown to know of the past few years, even though a number of them have left since Autumnwatch to take up new challenges. However, behind and above Chris Packham’s right shoulder, placed in prominent view, was a print of one of my images, in fact it was very appropriate, as it was a view of the very cabin they were in, from across the loch following overnight snow.

Female blackbird feeding on Pyracantha berries.

Further south, winter even gripped the southwest of England. Snow is uncommon in most winters, but we have had snow in three of the last four in Somerset now. Parts of Somerset had several inches, but in Bridgwater, the snow was preceded by a spell of heavy rain, which limited the snowfall to a just a couple of inches. However, it was enough to alter the behaviour of the local wildlife, due to the scarcity of food. The public area at the front of my house was full of blackbirds, but when the children were playing in the snow, they were forced into my garden, where they fed on berries on my Pyracantha and Cotoneaster bushes. At a couple of points, two female birds were present and this resulted in some territorial disputes. Lighting was pretty awful, but I was able to get some ok images of them perched on the bushes and some of them feeding.

 

In Search of the Northern Lights

It’s almost twelve years now, since I moved to live and work in Oslo, the capital city of Norway. It was probably on my way back from my first return home after the move, that I got chatting to one of the other passengers. I remember remarking that I’d like to see the Northern Lights, without really giving it too much thought. He of course said that it would have to be a winter trip, which had I thought about it, was pretty obvious really. Although I did see something while walking home from work late once in the early hours, I never really got the chance, as the contract had to end earlier than expected.

A couple of weeks ago, I finally got my chance. I only arrived back on Monday, in the early hours, so the photos are only just ready, but I was able to spend six days in Tromsø, in the far north. Because it’s so far north of the arctic circle, the sun doesn’t rise for almost two months, giving a strange pale blue light (when it’s clear) during the day. At this time of year in early December, it lasts for around two hours.

Unfortunately however, we arrived to rain and strong winds, which pretty much lasted for the first four days. The chances of seeing the lights didn’t look too promising, but by the thursday, the day that had been booked, the forecast was for clearing skies. Just as we left though, the weather suddenly took a turn for the worse again, with a heavy downpour. Not in the slightest bit perturbed though, our guide headed east, towards the Finnish border, where the weather should be clearer, due to the shelter of the mountains. We had booked our trip with Kjetil Skogli, the man who took out Joanna Lumley during a British television production a few years ago. When I mentioned in the Visit Tromsø information office who I’d booked with, the response was “He’s the expert, you’ll definitely see them”, which was encouraging. Our first stop was just over an hour away from Tromsø and the skies looked a lot clearer, with increasing glimpses of the moon. As we came off the main road near Seljelvenes, towards the northeast, the sky looked to be glowing. After waiting for some time, the glow came closer, eventually forming distinct bands of white, against the dark sky. Light pollution was non-existent, allowing the best views of the stars and the moon was behind us, well away from the aurora that was forming.

While the display wasn’t the best, as solar activity had been low since the beginning of October, it was certainly an experience. They didn’t quite look as I’d imagined though. You see all the photos and imagine that the aurorae will be a mass of greens and reds, perhaps mixed in with some purples and blues if you’re lucky, but they were essentially white. I could just about make out some red colouration, but the greens just weren’t visible with the naked eye. Of course, again, had I thought more about it, I would have remembered that the human eye is pretty poor at distinguishing colour in the dark. Some people have better colour perception in the dark than others and one of the others could make out a slight green tinge. Had the display been stronger, then there would have been a greater chance of seeing the colours, but I was able to get a couple of useable photographs. Judging by my settings and comparing them to other photos, I would estimate, that a strong display could have been as much as ten times brighter. It wasn’t long before the skies clouded over again though and each of the subsequent stops failed to reveal any better displays before the clouds caught up with us.

Mildly satisfied that I’d at least seen them, I now hoped for clearer skies during the day, so that I could photograph Tromsø in the best light possible. Friday was a complete washout though with heavy rain and more strong winds, which later turned to sleet with occasional snow flurries, resulting in a spattering of snow on Friday night. Saturday was another story however. The skies cleared, with much colder weather, resulting in some of the best light I’ve ever seen for photography. It’s difficult to describe, but the closest I can come, is by describing it as a turquise blue light, tinged with pinks and purples, as the invisible sun reflects off the few clouds. As dusk approaches in the afternoon, the colour darkens to give an even stranger, almost surreal light.

All in all, my trip to northern Norway was a success, but I know want to try seeing a stronger display and especially perfect my technique of photographing the Northern Lights, which left a bit to be desired.

New Guide to Winter Photography Added

I’ve just added a new guide to the articles section of the blog, this time on winter photography. Snow can play havoc with camera metering systems, causing problems with under-exposure. This guide looks at an overview of how metering systems work, as well as offering tips and pointers on overcoming the meter, using exposure compensation. While it was written primarily with landscapes in mind, it would apply equally to scenes that include wildlife and also white animals and water scenes. It could also be used as a guide to low key scenes, reversing the ideas.

Winter Weather Returns

It’s been an unusual winter so far in the UK. We often get cold weather (if not in the same league as parts of North America and Central and Eastern Europe), but this year has been unusual because it’s been so cold, so early and for so long. The cold weather first hit last month and was deemed the earliest widespread snow for 17 years, although, we largely missed the snow, getting less than half an inch one night, except in parts of Somerset where they got much more. We certainly haven’t missed the extreme cold and ice however, not to mention freezing fog on a couple of occasions. Over the next couple of days though, it seems we are likely to get heavy snow, as the cold waether returns after a few days respite (a balmy 7 or 8 Celsius).

Last Tuesday brought weather conditions I’d never seen before, even though we used to get much colder and snowier weather when I was a child, than in recent years. Although, I wasn’t able to make full use of the conditions, due to a late parcel delivery, I was able to observe feeding birds in my back garden, including a robin (Erithacus rubecula) feeding on mealworms and hunting for other food in front of some Pyracantha berries, making for nice winter scenes. I also managed to photograph the hoar frost that slowly increased throughout the day, the first time I can remember seeing such a visible change in a short period. Every time I looked out, the crystals on the plants looked larger. Over the coming days, I hope to photograph many more winter scenes, although the travel conditions are likely to limit the distance. I will also aim to produce a guide to winter photography, outlining some of the pitfalls and how to overcome them.