Bridgwater Canal

Last Sunday, I decided it was about time I went out again. The lighting was pretty much perfect for some shots I had been planning for almost two years, but had always found somewhere else to photograph. A few miles outside of central Bridgwater, the Bridgwater and Taunton Canal passes a pub called the Boat and Anchor Inn, near the Huntworth Business Park. It isn’t anything out of the ordinary as far as canal-side pubs go, but they do serve very good food and of course offer nice beer. I didn’t visit on this occasion though, as I wanted to catch the low sunlight lighting the pub buildings and the canal. However, my memory was a little faulty and the angle I was looking for wasn’t possible, so I concentrated more on the canal, where the light was ideal.

While I was photographing the first of my chosen views, a dog walker stopped to say hello and mentioned that they were showing the canal on Countryfile on BBC1 later that evening. We chatted for a while, with him stating that he hadn’t seen them filming, but I thought it was slightly ironic, that I’d chosen that evening to photograph the canal.

In Search of the Northern Lights

It’s almost twelve years now, since I moved to live and work in Oslo, the capital city of Norway. It was probably on my way back from my first return home after the move, that I got chatting to one of the other passengers. I remember remarking that I’d like to see the Northern Lights, without really giving it too much thought. He of course said that it would have to be a winter trip, which had I thought about it, was pretty obvious really. Although I did see something while walking home from work late once in the early hours, I never really got the chance, as the contract had to end earlier than expected.

A couple of weeks ago, I finally got my chance. I only arrived back on Monday, in the early hours, so the photos are only just ready, but I was able to spend six days in Tromsø, in the far north. Because it’s so far north of the arctic circle, the sun doesn’t rise for almost two months, giving a strange pale blue light (when it’s clear) during the day. At this time of year in early December, it lasts for around two hours.

Unfortunately however, we arrived to rain and strong winds, which pretty much lasted for the first four days. The chances of seeing the lights didn’t look too promising, but by the thursday, the day that had been booked, the forecast was for clearing skies. Just as we left though, the weather suddenly took a turn for the worse again, with a heavy downpour. Not in the slightest bit perturbed though, our guide headed east, towards the Finnish border, where the weather should be clearer, due to the shelter of the mountains. We had booked our trip with Kjetil Skogli, the man who took out Joanna Lumley during a British television production a few years ago. When I mentioned in the Visit Tromsø information office who I’d booked with, the response was “He’s the expert, you’ll definitely see them”, which was encouraging. Our first stop was just over an hour away from Tromsø and the skies looked a lot clearer, with increasing glimpses of the moon. As we came off the main road near Seljelvenes, towards the northeast, the sky looked to be glowing. After waiting for some time, the glow came closer, eventually forming distinct bands of white, against the dark sky. Light pollution was non-existent, allowing the best views of the stars and the moon was behind us, well away from the aurora that was forming.

While the display wasn’t the best, as solar activity had been low since the beginning of October, it was certainly an experience. They didn’t quite look as I’d imagined though. You see all the photos and imagine that the aurorae will be a mass of greens and reds, perhaps mixed in with some purples and blues if you’re lucky, but they were essentially white. I could just about make out some red colouration, but the greens just weren’t visible with the naked eye. Of course, again, had I thought more about it, I would have remembered that the human eye is pretty poor at distinguishing colour in the dark. Some people have better colour perception in the dark than others and one of the others could make out a slight green tinge. Had the display been stronger, then there would have been a greater chance of seeing the colours, but I was able to get a couple of useable photographs. Judging by my settings and comparing them to other photos, I would estimate, that a strong display could have been as much as ten times brighter. It wasn’t long before the skies clouded over again though and each of the subsequent stops failed to reveal any better displays before the clouds caught up with us.

Mildly satisfied that I’d at least seen them, I now hoped for clearer skies during the day, so that I could photograph Tromsø in the best light possible. Friday was a complete washout though with heavy rain and more strong winds, which later turned to sleet with occasional snow flurries, resulting in a spattering of snow on Friday night. Saturday was another story however. The skies cleared, with much colder weather, resulting in some of the best light I’ve ever seen for photography. It’s difficult to describe, but the closest I can come, is by describing it as a turquise blue light, tinged with pinks and purples, as the invisible sun reflects off the few clouds. As dusk approaches in the afternoon, the colour darkens to give an even stranger, almost surreal light.

All in all, my trip to northern Norway was a success, but I know want to try seeing a stronger display and especially perfect my technique of photographing the Northern Lights, which left a bit to be desired.

Apple iBook Version of A Journey with Nature is Available

As the electronic version for Amazon’s Kindle seems to be more popular than the print version, I have now updated my Blurb shop to offer an iPad and iPhone version of “A Journey with Nature” for sale. Unlike the version on Kindle, this is is full colour, with all the photographic images used to illustrate the large format print version.

The book itself, charts my experiences while tavelling and watching the natural world, starting in Nepal and following my journey in Scotland and Somerset.

Why not consider it as a Christmas present?

http://www.blurb.com/books/2236892

New Photography Article – The Use of Filters

I have just published a new article on “The Use of Filters in Photography“. It isn’t an exhaustive list, but it concentrates on the most commonly used filters in digital photography. It debunks the policy by many photographic stores of selling a UV filter with every lens (usually cheap, poor quality versions) and tries to reverse the trend of doing everything in Photoshop. The effects of some filters can’t be reproduced in Photoshop (e.g. polarising filters) and it saves a significant amount of time in post production.

I will be adding some example photographs, with explanatory captions to the article in the coming few days.

Glastonbury Carnival 2011 Photos

It took some time, but I’ve finally finished processing the photos from Glastonbury Chilkwell Guy Fawkes Carnival from Saturday. The weather was fine all day, in fact it was probably one of the nicest days of November so far. This meant perfect conditions for the carnival. A cold wind did pick up for a while before the start, but it soon died down again.

While there were a lot of shots I wasn’t happy with (there always is), thanks to two participants, I was able to get some of my best ever carnival photographs. The first performer from Vagaonds Carnival Club turned to the camera to do her routine, while glaring intensely at the camera, perfect for the tone of the cart. While that was good, perhaps even more surprising was the performer from Centurion CC, who gave a brilliant smile. Many not familiar with carnival may not find that very surprising perhaps, but Centurion is a tableau club, where the participants stay frozen for the whole procession, but again, it fit in well with the theme. My sincere thanks must go to both of these two performers. Carnival photographs are always going to be dynamic by their very nature, but it isn’t always possible to capture the atmosphere. I felt that the relationship between them and the camera really lifted the photographs to another level. I’m not a portrait photographer normally, so it is probably one of the few occasions where I have had a buzz from photographing people, normally it’s confined to my nature photographs, when I get what I was looking for.

Like last year, I had taken note of some of the features of the carts that I had wanted to photograph, so I concentrated more on different angles (mainly portrait formats of the carts), portraits of the performers and closeup and detail shots. Not all of them were successful, as many of the performers were in higher positions than last year, which caused focusing and depth of field problems that had to be overcome. Again, this is something to note for next year.

Despite some failures, overall it was a success for me and as usual, plenty of money was collected for local charities, although not as much as you might expect, given that there are usually around 50,000 spectators.

Bridgwater Carnival Black Sunday Photos

As I mentioned in my last blog post, I got caught up in the Black Sunday celebrations that are held every year on the Sunday following Bridgwater Carnival. I had originally planned to try out a new lens, ready for an upcoming Norway trip, but with the weekend travel problems in Somerset, I decided it wasn’t worth trying to drive anywhere, so I wandered down to Bridgwater Quay, before walking along the river to the centre.

As I was walking up through St Mary Street, I was approached by a large boisterous group, it was Black Sunday after all, so I couldn’t really expect anything else. Anyway, after a quick chat and change of lens, I took a couple of photographs. I promised to send the images to one of the group, but unfortunately, the e-mail address I wrote down, doesn’t seem to work. If anyone from Wick or Pentathlon Carnival Clubs remembers having their photo taken, then please contact me and I will forward on the promised photos.

Bridgwater Carnival 2011 Photographs now on Website

Bridgwater Carnival night will be memorable for a number of reasons, not all of them good. It all started in the afternoon, during the afternoon entertainment by Bridgwater College. When I describe what we had as a downpour, it is a definite understatement. In fact, I don’t think I’ve seen rain heavier in Britain. To make matters worse, the lack of wind, meant that the extremely heavy showers didn’t move very fast. There was a fast flowing river of water down past the Cornhill and on towards the Parrett, down the pedestrianised area, which was up to two inches deep in places. Everyone was saturated, but unbeknown at the time, similar amounts of water must have been flowing down Castle Street, which caused a partial collapse of the wall along the river, with part of the road in behind disappearing into the depths below. However, as is said in showbiz, the show must go on and it did. Sadly the news got worse though, but it didn’t come to light until the end of the carnival, except by the emergency services. A little over ten miles away, just outside Taunton, one of the worst pile-ups in British history occured on the M5, causing seven fatalities and numerous serious injuries. All condolences and sympathies must rest with the victims and their families.

The carnival itself put on its usual show of bright lights and entertainment. While I don’t think it lived up to last year’s standards, it still provided plenty of entertainment and better still, it remained dry throughout, a welcome relief after the afternooon. For me, the strongest and most original entries were in the Tableau Class, which was won by Overthrow of the Tsar, built by Pentathlon Carnival Club, with last year’s winners, Huckyduck Carnival Club coming second with Way out West. However, yet again, the overall winners were Gremlins, with their entry Jungle Drums. While it was still impressive, I don’t think it matched last year’s entry.

The squibbing display was cancelled, due to the previous sad events, but it was still an enjoyable evening.

And one final photo of Wick Carnival Club’s 2011 entry, Inca, having met some of them and some members of the Pentathlon Carnival Club this afternoon, as I got caught up in the Black Sunday celebrations.

http://heikoworld.wordpress.com/2011/11/04/bridgwater-carnival-2011/
http://heikoworld.wordpress.com/2011/11/06/bridgwater-carnival-2011-part-2/

The Countdown to Bridgwater Carnival has Started

Remember, remember the 5th 4th of November. ThBurlesque Cabaret - 2009is friday, is carnival day in Bridgwater. Festivities start in the morning and carry through to the squibbing display after the carnival ends, some time after 11.00pm. At times, it seems like the whole world descends on the town, with bars being full hours before the start of the carnival. In fact, it is probably the third largest carnival in the world after Rio de Janeiro and Notting Hill carnivals, which is pretty impressive for a town with a population of around 30,000 (two different sources quoting the same 2001 census put it at 33,698 and 36,563).

As usual, I will be attending (I can’t really escape, having to take at least the afternoon off to get home) and it is one of the few times where I shoot people (not literally of course). Notwithstanding my lack of portrait photography, from a commercial point of view, it has my highest success rate, so it is certainly worth my while attending (even in the pouring rain). Weather permitting, I will again be using flash, although that won’t be possible in heavy rain. The flash helps to fill in the deep shadows from the strong lights, but is very unsightly when it freezes the falling rain drops.

Gremlins Carnival ClubLast year, the carnival was again won by the Gremlins Carnival Club, with their entry Runaway Train. They are in fact regular winners, having shared the overall title in 2009 with To the Trees, the winner of the Tableau class, by the Gemini Carnival Club. There are usually around 120 entries, comprising of a mixture of large carts or floats down to individual performers or masqueraders. The participants spend alot of time, effort and money on prearing their entries and the whole carnival is about collecting money for local charities.

If you haven’t been before, then it is definitely something that everyone should experience at least once. Until you’ve seen Bridgwater Carnival, you haven’t seen what can be achieved and most other illuminated carnivals are just pale imitations in comparison.

Wick Carnival Club

Latest Uploads from the Scotland Trip

A couple of weeks ago, I made my regular trip up to the Scottish Highlands. I decided this time to stop off at two areas I haven’t previously visited, the Lake District and Glencoe. Of course, both areas are well known for their possibilities for the landscape photographer. I was never going to get any award winning shots from either area, with just two one night stopovers overlooking Ullswater and three nights at the Clachaig Inn, at the top end of Glencoe, but it was a chance to do some scouting. The weather on the way up was atrocious, with visibility being so low, that I was barely able to see the mountains surrounding the two stopovers, not exactly ideal conditions for expansive landscapes. Luckily, the weather cleared during my week at the main destination, the Aigas Field Centre. I’m pretty well known up there now and I always feel at home. I don’t really need the photography tuition that was provided by Laurie Campbell, but this time there was a greater focus on fieldcraft, with the chance of stalking deear and feral goats, always useful practice, even if it isn’t always successful.

Because the focus was more on fieldcraft, I actually took less photographs (which also meant less to process and sift through), but I was able to get some shots I was more than happy with. Probably the highlight for me were some studio shots, as I was able to practice with some flash work, something I rarely do. Also useful for me were stalking some feral goats and also a stag that disappeared while we were out of view and building an improvised hide from available material.

Of course, there was also the chance of photographing the resident pine martens at the Aigas Field Centre. Last winter, they resited one of the hides, so that it was suitable for viewing wild pine martens. The whole area was designed with photography in mind, so suitable natural perches and trunks were installed. Also, the portholes of the hide were able to be lifted up, so that the martens could be photographed without having to shoot through glass. Of course, the downside was increased risk of disturbance from the camera shutter. As a consequence of the preparations, I was able to get my sharpest shots of martens to date and even tried some flashwork. I really put my 135 mm f/2 to good use and the f/2 proved invaluable, more so than the flash, with the 5D MkII providing very clean, sharp images. The 7D however, was less successful, as it seems like some lens microadjustment in needed.

All in all, the usual successful and enjoyable trip. I always enjoy being in the Scottish Highlands and particularly enjoy staying at the Aigas Field Centre. For anyone considering staying there, they offer a great variety of activities, not just photography, but also wildlife (including specific bird and mammal, as well as general programmes) and archaeology weeks. Next year, they also have a variety of special weeks and weekends in their programme.

Gigrin Farm Visit

For some time, I’ve been considering a visit to Gigrin Farm, in mid Wales. It’s one of the feeding stations (and was the first), that have been set up for red kites and as a result, it has become a bit of a honeypot site. Of course, the downside of it being so popular, is that everyone now can get photographs of red kites, which makes it harder to get something different. Also it makes it less of a challenge, as no fieldcraft is needed to get close. However, against that, you have the chance to try out different ideas, without having to wait months or even years for the opportunity and it is very good for practicing panning and other techniques necessary for bird photography. I finally visited a couple of weeks ago and was entranced by the the sheer spectacle. Seeing 100+ red kites swooping and gliding is a sight everyone should experience. It is certainly a sight I won’t forget for a while.

I’ve seen red kites before, up in the Black Isle and near Inverness and also while travelling by train towards London, but never as close as the views at Gigrin Farm. They’d always been soaring, not dissimilar to a buzzard, so I assumed they also fed like a buzzard, by landing next to the “prey”. After all, they are both carrion eaters in the main. However, that is where the similarity ends. The red kite is a much more acrobatic flyer, preferring not to land and swoops instead, collecting the prepared meat, before eating in mid-air, much like a hobby does with dragonflies. I wasn’t therefore prepared for the high speed panning. There are a number of hides available, from the general purpose public hides to some specially designed photography hides. It was unfortunate the day we went, that a coach party had been booked, so two of the public hides had been block booked and there was also a photography workshop, meaning that the photography hides were also unavailable. As a result, I ended up seated on the child benches, which was extremely uncomfortable, due to the low position. It did enable me to get a couple of low angle shots that wouldn’t have been possible from the photography hides though, as they are raised above the public hides, which are at ground level. The photography hides would make panning a lot easier though and experimentation would also be more possible, plus the dorsal colours would also be more obvious.

Definitely a place I would recommend and I will visit again some time in the future, perhaps in the winter.